Below is a non-comprehensive list of some of my recent research. Hop on over here and here to stay more up to date.
Peer-reviewed journal articles
Brown, S.C. and Knox, D. (under review). Why buy an album? The motivations behind recorded music purchases. Psychomusicology.
Brown, S.C. (in press) Mediated Youth Cultures: The Internet Belonging and New Cultural Configurations [Review of the book Mediated Youth Cultures: The Internet Belonging and New Cultural Configurations, by A. Bennett and B. Robards (eds.)]. Popular Music, 34(2), 349-351.
Brown, S.C. (in press). How Music Works [Review of the book How Music Works, by D. Byrne]. Popular Music and Society.
Brown, S.C. (2014). Porn piracy: An overlooked phenomenon in need of academic investigation. Porn Studies, 1(3), 342-346.
Brown, S.C. and MacDonald, R.A.R. (2014). Predictive factors of music piracy: An exploration of personality using the HEXACO PI-R. Musicae Scientiae, 18(1), 53-64.
Brown, S.C. (2014). ‘With a little help from my friends’: Peer production and the changing face of the live album. International Journal of Music Business Research, 3(1), 52-66.
Brown, S.C. (2014). Approaches to digital piracy research: A call for innovation. Convergence, 20(2), 129-139.
Brown, S.C. (2014). Assimilate: A Critical History of Industrial Music (Review of the book Assimilate: A Critical History of Industrial Music, by Reed, S.A.]. Rock Music Studies, 1(2), 193-195.
Brown, S.C. (2011). Artist autonomy in a digital era: The case of Nine Inch Nails. Empirical Musicology Review, 6(4), 198-213.
Peer-reviewed magazines
Brown, S.C. (2013, July). Digital piracy and the moral compass. The Psychologist, 26(7), 538-539.
Web resources
Brown, S.C. (2015). Stanley Donwood, Radiohead and the power of musical artwork. Guest contribution to The Conversation website.
Brown, S.C. (2015). What makes a music festival? Context versus content, and the case of Festival Number 6 - Steven Brown. Guest blog post on Live Music Exchange website.
Brown, S.C. (2014). The Soundtrack to Christmas is changing - here's a compilation of reasons why. Guest contribution to The Conversation website.
Brown, S.C. (2014). How piracy is changing the music industry landscape. Guest contribution to The Conversation website.
Brown, S.C. (2014). Who are the music pirates and what do they want? Guest contribution to The Conversation website.
Brown, S.C. (2014). Is piracy ‘good’ or ‘bad’? – guest post by Steven Brown. Guest appearance on Music Business Research website.
Brown, S.C. (2013). Giving life back to music (promotion and distribution. Guest ‘Views’ post on International Federation of the Phonographic Industry website.
Brown, S.C. (2012). Anatomy of a Gig #2: Roger Waters (The Wall) – Steven Brown. Guest blog post on Live Music Exchange website.
Peer-reviewed journal articles
Brown, S.C. and Knox, D. (under review). Why buy an album? The motivations behind recorded music purchases. Psychomusicology.
Brown, S.C. (in press) Mediated Youth Cultures: The Internet Belonging and New Cultural Configurations [Review of the book Mediated Youth Cultures: The Internet Belonging and New Cultural Configurations, by A. Bennett and B. Robards (eds.)]. Popular Music, 34(2), 349-351.
Brown, S.C. (in press). How Music Works [Review of the book How Music Works, by D. Byrne]. Popular Music and Society.
Brown, S.C. (2014). Porn piracy: An overlooked phenomenon in need of academic investigation. Porn Studies, 1(3), 342-346.
Brown, S.C. and MacDonald, R.A.R. (2014). Predictive factors of music piracy: An exploration of personality using the HEXACO PI-R. Musicae Scientiae, 18(1), 53-64.
Brown, S.C. (2014). ‘With a little help from my friends’: Peer production and the changing face of the live album. International Journal of Music Business Research, 3(1), 52-66.
Brown, S.C. (2014). Approaches to digital piracy research: A call for innovation. Convergence, 20(2), 129-139.
Brown, S.C. (2014). Assimilate: A Critical History of Industrial Music (Review of the book Assimilate: A Critical History of Industrial Music, by Reed, S.A.]. Rock Music Studies, 1(2), 193-195.
Brown, S.C. (2011). Artist autonomy in a digital era: The case of Nine Inch Nails. Empirical Musicology Review, 6(4), 198-213.
Peer-reviewed magazines
Brown, S.C. (2013, July). Digital piracy and the moral compass. The Psychologist, 26(7), 538-539.
Web resources
Brown, S.C. (2015). Stanley Donwood, Radiohead and the power of musical artwork. Guest contribution to The Conversation website.
Brown, S.C. (2015). What makes a music festival? Context versus content, and the case of Festival Number 6 - Steven Brown. Guest blog post on Live Music Exchange website.
Brown, S.C. (2014). The Soundtrack to Christmas is changing - here's a compilation of reasons why. Guest contribution to The Conversation website.
Brown, S.C. (2014). How piracy is changing the music industry landscape. Guest contribution to The Conversation website.
Brown, S.C. (2014). Who are the music pirates and what do they want? Guest contribution to The Conversation website.
Brown, S.C. (2014). Is piracy ‘good’ or ‘bad’? – guest post by Steven Brown. Guest appearance on Music Business Research website.
Brown, S.C. (2013). Giving life back to music (promotion and distribution. Guest ‘Views’ post on International Federation of the Phonographic Industry website.
Brown, S.C. (2012). Anatomy of a Gig #2: Roger Waters (The Wall) – Steven Brown. Guest blog post on Live Music Exchange website.
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