It has been a while since I recommended some books, so get your reading list in early for your summer holidays.
Some suggested works include: Hinduja's 2006 title 'Music Piracy and Crime Theory'; Tapscott and Williams' account of crowdsourcing 'Macrowikinomics' (2010); David's systematic 'Peer to Peer and the Music Industry' (2010); Bently et al.'s critical 'Copyright and Piracy: An Interdisciplinary Critique' (2010); Higgins and Marcum's criminological text 'Digital Piracy: An Integrated theoretical approach' (2011); Kernfeld's historical account of music piracy 'Pop Song Piracy: Disobedient Music Distribution Since 1929' (2011); Byrne's music industry insider opus 'How Music Works' (2012); Elkin-Koren and Salzberger's review of the digital economy 'The Law and Economics of Intellectual Property in the Digital Age' (2013); and Wikstrom's comprehensive overview of the multifaceted music industry in 'The Music Industry: Music in the Cloud' (2013).
Should keep you busy.
References
Bently, L., Davis, J. and Ginsburg, J.C. (Eds.). (2010). Copyright and Piracy: An Interdisciplinary Critique. Cambridge, England: Cambridge University Press.
Byrne, D. (2012). How Music Works. Edinburgh, Scotland: Canongate.
David, M. (2010). Peer to Peer and the Music Industry. London, England: Sage.
Elkin-Koren, N. and Salzberger, E.M. (2013). The Law and Economics of Intellectual Property in the Digital Age. New York, NY: Routledge.
Higgins, G.E. and Marcum, C.D. (2011). Digital Piracy: An Integrated Theoretical Approach. Durham, NC: Carolina Academic Press.
Hinduja, S. (2006). Music Piracy and Crime Theory. El Paso, TX: LFB Scholarly Publishing LLC.
Kernfeld, B. (2011). Pop Song Piracy: Disobedient Music Distribution Since 1929. Chigago, IL: The University of Chicago Press.
Tapscott, D. and Williams, A.D. (2010). Macrowikinomics. London, England: Atlantic Books.
Wikstrom, P. (2013). The Music Industry: Music in the Cloud (2nd edition). Cambridge, England: Polity Press.
Some suggested works include: Hinduja's 2006 title 'Music Piracy and Crime Theory'; Tapscott and Williams' account of crowdsourcing 'Macrowikinomics' (2010); David's systematic 'Peer to Peer and the Music Industry' (2010); Bently et al.'s critical 'Copyright and Piracy: An Interdisciplinary Critique' (2010); Higgins and Marcum's criminological text 'Digital Piracy: An Integrated theoretical approach' (2011); Kernfeld's historical account of music piracy 'Pop Song Piracy: Disobedient Music Distribution Since 1929' (2011); Byrne's music industry insider opus 'How Music Works' (2012); Elkin-Koren and Salzberger's review of the digital economy 'The Law and Economics of Intellectual Property in the Digital Age' (2013); and Wikstrom's comprehensive overview of the multifaceted music industry in 'The Music Industry: Music in the Cloud' (2013).
Should keep you busy.
Tweet n' greet @musicpiracyblog
References
Bently, L., Davis, J. and Ginsburg, J.C. (Eds.). (2010). Copyright and Piracy: An Interdisciplinary Critique. Cambridge, England: Cambridge University Press.
Byrne, D. (2012). How Music Works. Edinburgh, Scotland: Canongate.
David, M. (2010). Peer to Peer and the Music Industry. London, England: Sage.
Elkin-Koren, N. and Salzberger, E.M. (2013). The Law and Economics of Intellectual Property in the Digital Age. New York, NY: Routledge.
Higgins, G.E. and Marcum, C.D. (2011). Digital Piracy: An Integrated Theoretical Approach. Durham, NC: Carolina Academic Press.
Hinduja, S. (2006). Music Piracy and Crime Theory. El Paso, TX: LFB Scholarly Publishing LLC.
Kernfeld, B. (2011). Pop Song Piracy: Disobedient Music Distribution Since 1929. Chigago, IL: The University of Chicago Press.
Tapscott, D. and Williams, A.D. (2010). Macrowikinomics. London, England: Atlantic Books.
Wikstrom, P. (2013). The Music Industry: Music in the Cloud (2nd edition). Cambridge, England: Polity Press.
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